Monthly Archives: October 2017

#NaNoWriMo #NaNoPrep Is Done, Dude

Halloween. AKA the Last Day Before NaNo.

I have no idea how you get a cat to sit still long enough to do this to it.

Some of you will begin writing at 12:01am tomorrow morning for your time zone. The rest of us have more appreciation for sleep and will begin at a more sane hour. Whenever you plan to start, make sure you get these things done before the end of today:

  1. Create your novel on NaNoWrimo.org. It’s in your Author Dashboard. You only have to fill in a title, and it can be anything, including “This is the Title.” The rest is optional.
  2. Set up your writing document in whatever fashion is most comfortable for you. If you like writing in a particular font, put down “Chapter 1” and change it to that font. Fix whatever else makes you happy.
  3. Put at least a shortcut to the blank document on your desktop (or in your favorites bar if you use an online wp like Google Drive).
  4. Know your plan for backing up the doc. If you’re using a cloud-based program, you’re all set. If you’re not, are you working off a flash drive? Are you going to save to a flash drive every x minutes/hours? Email it to yourself once a day?
  5. Visualize the opening of the first scene. Be ready to start writing when you sit down.
  6. Have at least one day of eating planned. It’s better if you have multiple days, but one day is a good start!
  7. Attend to any chores you’d ordinarily do by the end of the week. If you have something, like laundry, that doesn’t make sense to do early, set yourself up so that chore is easy to get to and easy to get done with minimal interruptions for your writing time.
  8. Set your DVR to record things you’d usually watch and say goodbye to your TV.
  9. Make a firm commitment to stay off social media except to proclaim your wordcount or check in with your region’s accounts (if your region has them). Set up a timer to keep your visits to ten minutes or less.
  10. If you haven’t already, bookmark your home region’s page on the NaNo website so you can update your wordcount, check the write-in calendar, and find local NaNo news with one click.
  11. Arrange your workspace so it’s comfy and welcoming.

May the words be ever in your favor. So write we all.

#NaNoPrep Season: Panicking With Style

As of today, there’s one full week left before NaNo starts. The clock is ticking. It feels real.

I get excited this time of year, because I know I’ll be fine. After 9 wins under wildly varying conditions, I’m so confident that I work conventions in November. There’s just something about NaNo that cranks my output to 11.

If this is your first time, or if you haven’t managed to win yet, you may have a different view. We’re getting down to the wire here. The thing is about to start. No matter how much prep you’ve already done, I’ll bet you can think of ten things that you’ll never get to in time, or ten problems you anticipate colliding with NaNo. Or just one really big thing looming that you know is going to crap all over your November.

As far as I’m concerned, there are two main things you need to win at NaNo.

  1. Confidence. Do or do not. There is no try. You’re gonna write a darn novel, and you’re gonna do it in 30 darn days, darnit. (Feel free to insert harsher words as you see fit.)
  2. Time. Let’s face it–all the confidence in the world isn’t going to mean diddly or squat if you can’t get your butt into that chair and put your fingers on that keyboard for long enough to type 1667 words per day.

Sure, you need ideas, a plot, characters, blah blah blah, but if you don’t have these two critical things, the rest doesn’t matter.

Now, I can’t help you with the time issue. That’s all on you. Most folks can find the time by turning off the TV and/or Facebook for the month.

As for confidence, I challenge you to take a moment every morning, look at yourself in a mirror, and tell yourself that you will succeed according to your favorite paradigm or idiom. Use Klingon if that helps. (I suggest Heghlu’meH QaQ jajvam!, which means “Today is a good day to die”.) You put that quitter in the mirror on notice. None of their crap during November. It’s all writing and victory.

Do it twice a day if you need to. Ask a friend or loved one to point at you and call you a dirty novelist. Get a NaNo t-shirt to support the cause and wear it every day as a good luck charm (Wash it sometimes, though. Please.). Write “you’re a writer” on pieces of paper and tape them to things around your dwelling.

Time to get your head in the game.

You’re a writer, dammit. Act like one.

#NaNoPrep Season: Being Creative When Life Sucks

For many professional arting types, such as writers, this has been a rough year. A lot of us have been exhausted by all the things going on for the past 12-15 months. This isn’t even solely about politics. Natural disasters and terrorism are horrible for creativity. The economy isn’t exactly fantastic if you’re not already rich. I’ve been watching politicians press to take away my health care, either wholly or partially, over and over, and again. As a value-added bonus, my father passed away last November.

This stuff is exhausting. Things which are exhausting are problematic for creative expression.

Here, have a refreshing pic of Supercat, my personal writing helper.

If you like writing, you’ve probably seen quotes about why writing is more important than ever lately. Which is great, but doesn’t help if you’re struggling to put ideas together or if you feel like your work is frivolous in a time that seems to demand seriousness.

This is how I’ve still managed to produce work over the past year:

  1. Stop spending so much time on social media. At least half the crap you find there isn’t even real anyway. Check in, catch up with your friends, and check out. Don’t argue with anyone unless it’s silly or frivolous and you need some silly or frivolous. No one has their mind changed by arguments on FB or Twitter.
  2. Get into a routine. Creativity is a lot like a muscle. Flex it every day at the same time, and your brain starts to expect that. Treat it like an exercise regimen. Go easy on yourself at first, and slowly add more weight (by which I mean time and demands).
  3. When something happens that you don’t understand and/or can’t process, like a terrorist opening fire on a crowd of people having fun, set aside your WIP for the day and write a loose story about how you feel. Write a story where you save all those people through some improbable means. Or tell a story about an imaginary victim who finds true love, or meets their maker, or whatever else pops into your head. Get that crap out so it stops festering inside. No one else ever has to read it, you just have to bleed it.
  4. Don’t watch the news for more than one hour on any given day. Keep up with current events, especially local ones, but pass on all the editorializing and opinionating.
  5. Exercise. Like, actual physical exercise that gets you off your butt for at least an hour a day. Writing is a sedentary job. Break it up a bit. For every hour you spend writing, get up for five minutes and do something that needs doing around your dwelling. Between chapters, take a walk or lift some weights, or whatever works for you.
  6. If you don’t have one already, find a social writing group that you can meet with in person on some regular schedule. This is not the same thing as a critique group. Critique groups are great and important, but you need a few folks you can just chill with and talk to who understand the plight of being a writer. NaNo write-ins are a great time to find folks for this purpose.
  7. Take a day off every week or so. Unplug. Go for a hike in the woods without your phone. Get away from your writing, from the news, from Uncle Bob’s opinions, from everything. If you can’t take a whole day, take as much of one as you can. At the least, treat yourself to something you consider decadent–an activity or foodstuff is a great thing to spend some time savoring.
  8. Make time to experience new things once in a while. Go someplace you’ve never been. Watch a webinar about a subject you’re not familiar with. Try the cheapest possible version of a handicraft you’ve never tried. Play a new game. Taste a new flavor. Take a different way home. Something.

If none of that helps, I strongly suggest seeking professional medical assistance. You may have depression or some other medical or psychological issue standing in your way. Mental health issues are exceedingly common among creative types. Modern medicine and/or psychology can fix a lot of those kinds of problems, or at least make them less debilitating.

As a side note, clever readers will notice I didn’t address the frivolity issue. That’s because it’s not a real issue. Everything doesn’t have to delve into serious, timely topics. Everything doesn’t have to address problems in our current culture. Relationships matter, buttkicking for goodness matters, the struggles of gods and mortals alike matter. Whatever you write, so long as it’s from your soul, it matters.

Next week: Panicking with style.

#NaNoPrep Season: Basics of Writing an Outline

You may think you don’t need an outline, but odds are good that your first draft will turn out better with one. More time spent before the writing on figuring out how to work the plot means less time spent during the writing on that very subject.

What is an outline?

At its most basic, an outline for a novel is a list of notes about the plot in chronological order. Outlines can be vague or detailed, terse or verbose. The right way to outline is the way that provides you with what you need to write the story. Which is to say that there is no right way to outline, there’s only the way that works for you.

Like this, except with plot points.

Of course, that’s not helpful if you’re not sure what to put in an outline to start with.

How Does One Do This Outlining Thing?

To start your first real outline, you’ll have to know some things about your story. You’ll need your genre, basic setting, character ideas, and what story you want to tell. Let’s go back to my ridiculous example of Harry Potter meets Pacific Rim from last week.

The genre could either be fantasy or science fiction. I’m going to go with fantasy, then further refine to modern fantasy. It’ll still have sci-fi elements, but this lets me have teenage wizards and witches, which is kind of the point of Harry Potter. I’ll include giant mecha and kaiju because that’s also required. So, my teenage wizards are piloting giant mecha to fight kaiju created by an evil wizard who wants to control the world. Because that’s what evil wizards do. It’ll take place in near-future Earth where magic exists for some reason I don’t need to identify right now.

Now that I know the basic premise, I can begin an outline. The more information you have, the easier it is to make up a robust outline, but you can start with just this much.

Spoiler alert: I’m not going to work up a full outline for a novel-length story and post it publicly. If you want to write Harry Potter meets Pacific Rim, you’re welcome for the idea, but figure out the story yourself.

We know the plot will center around our teenage wizards working to defeat the evil wizard. We need to decide if they defeat him for good in this story (thus making this book a standalone), or if they only defeat him temporarily (for a series). I’m going to say this will be a trilogy. So the evil wizard gets defeated, but only temporarily.

Now we know the end. How does the story start? Since this is a Harry Potter knockoff, it’ll start with kids in a school. I don’t want to do 7 years and cross age category from middle grade to YA, so we’ll do YA. Our teenage wizards are 14 years old and attending wizard high school so they can learn to pilot giant mecha and fight kaiju. A lot of kids start high school at 14, so let’s begin with our heroes on their first day of magic high school.

Tip: Don’t follow the plot of any existing story with precision unless that existing story is public domain. Ripping off other authors is bad. Getting caught doing it is worse.

I now have two important pieces of my outline: the beginning and the end. Neither has much detail, but knowing where to start and where to end is an excellent way to begin an outline.

From here, you need to make an important decision. About how long do you want this book to be? A 50k word novel is less complex and has fewer plotlines than a 100k word novel. A 75k novel is in between. For my purposes, I’m going to go with 75k as my ideal target wordcount.

Notice how I use “ideal target wordcount” and don’t make it a concrete thing. Don’t be surprised if you pick a target number and shoot way under or way over. Part of the learning process is discovering how many words it takes to tell the story in your head.

Next, you need to decide what kind of story you want to tell. I could take this outline in several directions. It could be relationship-driven, focusing on the connections between the characters and how magic impacts their lives. I could go action-heavy, throwing them into the mecha and onto the front lines for some reason. I could make it a mystery, with the kids working to discover why the evil wizard is using kaiju. There are other options, but these three appeal to me the most. Since my target wordcount is 75k, I’m going to pick action for a major focus, mystery for a secondary focus, and relationships to bubble underneath.

For a 50k work, I’d use only two. For a 100k work, I’d take all three, plus see if I can come up with another one to bubble with the relationships.

This is the part where you start doing the real work.

Figure out the evil wizard’s goals. Why is he evil? (Because you need an antagonist is not a good reason.) What does he think “control the world” means? How does he intend to accomplish that?

Take your major focus and figure out the simplest path to defeating the evil wizard if everything goes right for the heroes. My major focus is action, so my wizards are going to learn to use their magic and mecha well enough to fight the evil wizard’s kaiju and smash his headquarters. The simplest path is for them to jump in, learn everything they need to know on the fly, and wade through the kaiju to reach him.

Which is not a compelling story.

Figure out your evil wizard’s simplest path to victory if everything goes right for him. My evil wizard wants to control the world. He’s using kaiju to lure out all those who would resist him and crush them so he can take control of the weak, who’ll then be his slaves. His simplest path is for the kaiju to wade through his enemies and smash lots of stuff, including that school with those damned kids.

Also not a compelling story.

Those two boring stories, when pursued concurrently, have a lot of potential. The heroes and villain have a direct conflict in their goal. You can now see that the villain has a reason to target the school, which is why the kids are going to be involved in the fighting.

At this point, you fill in the path from the Starting Point to the Ending Point with ideas and notes. Whatever you think of, write it down.

Once you have some basic ideas for that, repeat for your secondary focus, weaving them together. Then slide in your bubbling option wherever it feels right. As you go, get specific enough that you can write a scene from your notes without being so specific that you feel like you already wrote the scene.

Here’s the trick.

Outlines end as a list of notes in chronological order. They rarely start that way.

For example, I think this book should have a scene involving the heroes getting into trouble for breaking some school rules. I have no idea where that fits in my plot, but I’m making a note, and I’ll pull it out when I reach a point where I need one or more of my heroes taken out of commission, or to be in a place where they can do a thing they otherwise wouldn’t be able to. Think of Harry finding Filch’s squib letter or the three kids running across the troll.

One option is to write your scene ideas on index cards and move them around until they make sense. If that isn’t your style, figure out what works for your brain and do that instead.

One Last Point…For Now.

There are lots of ways to get into your first outline. If you’d rather have a book, there are plenty of excellent ones to try. I recommend 21 Days To A Novel and No Plot? No Problem! as good, all-purpose guides by people who know what they’re talking about.

And it’s worth saying that every time you set out to write a book, your process will probably shift, at least a little. The important part is to start, not to start perfect.

#NaNoPrep Season: Learning Your Pre-writing Style #NaNoWriMo

There are many writers who claim to pants their stories. That is, fly by the seat of their pants, aka no plan, no outline, no nothing before starting to write. The other option is planning, which consists of drawing up a complete outline, character bios, detailed setting documents, and so on.

Pantser vs. Plotter

I wish to submit two controversial opinions:

  1. Pantsing and plotting are not two options, but rather two ends of a spectrum.
  2. As with many linear scales, most of us fit most comfortably somewhere between the two extremes.

The popularized term for folks who do “both” is Plantser. My argument is that we are all plantsers. Or, at least, the majority of us are.

Planster

The hitch: until you start writing, you have no real idea where you fit on that spectrum. You may think you’re on the Pantser end, then you get stuck on Day 4 with no idea what to do. Or you could Plannerize everything down to the details, then discover you only want to write a few of those scenes because the rest is already fulfilled in your head. Or your plans fly out the window because on Day 3, you thought of something brilliant.

My advice to any writer who isn’t sure where you fall on the spectrum is to aim for the middle. This list is not in order, because no one uses exactly the same process:

  1. Draft an outline focused on the major plot points. Leave out details and keep to the basic facts.
  2. Figure out the broad strokes of your main characters.
  3. Do some pre-writing of 1-3 short scenes that would take place before the novel starts to settle into the characters’ voices and mannerisms.
  4. Figure out what your setting needs to accommodate your plot and characters.
  5. If you have any mystery elements at all, come up with the clues.
  6. Come up with your ideal “It’s this meets this!” line. Example: “It’s Harry Potter meets Pacific Rim!” (I have no idea what that would look like, but I’d read the hell out of it.)
  7. Do your research, whether it’s about a place, a person label, a culture, clothing, technology, or whatever. Bookmark web pages with useful information about whatever topics you need.

For the average writer, this list should cover your prepping needs. You may discover you need more detail. Maybe you’re better with less.

Tip: Don’t be afraid to toss your outline if your brain takes you in a direction than your outline. Be flexible. But when you decide to veer off course, take a little time and figure out why. Is the new idea really better? Does the new journey suit the character/theme/conflict you want to portray?

If you feel good about the new direction, do a fresh set of plot points with it in mind and carry on.